First UMD Web Page Unveiled in 1995

1995 doesn’t really seem that far away!  I started working here in the UMD Archives and Special Collections in January of 1996.  At my previous job, in the MIT Libraries, the World Wide Web, as used by academia, as opposed to the military, was relatively new, too.  The libraries embraced its use, of course.  At my job before that, the Museum of Fine Arts Boston, personal computer use itself use new.  Computers had previously only been used to crunch large amounts of data, like membership lists and financial figures.  It unfolded as a useful tool for the rest of us, as I worked on editing exhibition catalogs.  There was some resistance from the IT department who weren’t prepared to help the rest of the staff with computer applications.  Or so it seemed from my perspective.

I ran across this article about the “new” UMD web page in a box of issues of the Observer from the 1990s.  This one is dated April/May 1995.  By the way, the Observer is a great resource for the history of UMD in the 1990s.  It was a newspaper published for a few years by the administration and featured staff and faculty news as opposed to student news.  It includes everyone who was hired, retired, died, or won an award during the 1990s.  Indexed several years ago by Pat Sikora, I hope that it will someday be online.

website1995Since it may be hard to read, the first two paragraphs go like this:  “UMass Dartmouth signaled its entry onto the ‘information superhighway’ at a press unveiling of it new Home Page on the Internet’s World Wide Web.  ‘This is just the tip of the iceberg,’ said Chancellor Peter H. Cressy.  ‘This is an enormous opportunity for information to be exchanged at the speed of light.  The power of this cannot be overstated.  It is a phenomenon the like of which we’ve never seen before.’  The World Wide Web (WWW) is the fastest growing part of the global Internet, better known as the ‘information superhighway.’  The Web links ‘servers’ around the world with a common protocol or computer language, allowing users to easily choose from among a huge variety of multimedia offerings, including sound, graphics and even short video files.”

The Wayback Machine at Internet Archive has been trolling the Internet since 1996, and has captured the UMass Dartmouth Web site many times starting in 1997.  The earliest one, which is probably close to how the very first UMD home page looked, can be access at: https://web.archive.org/web/19970406044451/http://www.umassd.edu/

How will things look when I look back on the second half of my career here at UMD?  Born digital records will certainly play a role.

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Collection from Former Professor Antone Rodil

img019 smallThe Archives and Special Collections recently received a small collection of materials that once belonged to former textile professor Anton Rodil, by way of his son, Norbert Rodil.  The elder Rodil, who graduated from the New Bedford Textile School, taught in the evening school from 1930 to 1937.  In 1937 he was “elected” as a regular instructor in the weaving department at the New Bedford Textile School (for the day school).  Rodil had been weave room foreman at the New Bedford Spinning Company, and had gained experience as a textile consultant during an 18-month stint in Mexico and Cuba.  In 1948 he was promoted to the rank of assistant professor, from which he retired in January 1968.  He was also a graduate of the New Bedford Textile School, attending at night for eight years to earn his certificate.  His son, Norbert Rodil, graduated with a B.S. in Textile Engineering in 1953.

The Rodil collection includes a composition book used as a scrapbook, and several NBTS catalogs and statistical publications from the textile field.  In the scrapbook  are newspaper clippings about New Bedford Textile School graduates in 1939 and 1940.  There are also some samples of fabric woven at the school with NBTS logos and other pictorial items.  The photograph is of professor Rodil with weaving apparatus.

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img021 smallThanks to the donor and to the Alumni Office for passing these items along to the Archives and Special Collections.

 

 

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New Bedford Textile School and the Paris Exposition Universelle Internationale 1900

250px-Vue_panoramique_de_l'exposition_universelle_de_1900The Paris Exposition Universelle Internationale of 1900 was one of a series of world’s fairs held up to the end of the 19th century.  Surrounding the Eiffel Tower in Paris, France, with 530 acres of gardens, buildings, walks and waterways, the fair was held from April 15th to November 12th, 1900.  Its purpose was to celebrate the achievements of the past century and to accelerate development into the next. The first international fair of this sort was held in Paris in 1855.  However, the 1900 fair would be the last major international fair.  The cost to put it on exceeded its revenue, and investors lost considerable amounts of money.  The assassination of American President William McKinley in November of 1900 also precipitated its early closure.   Each country that participated created exhibits showing their achievements in education, medicine, social welfare, science,  mining, manufacturing and the arts.   A visitor’s program including a complete list of exhibitors in the America pavilion can be found online at  http://archive.org/details/catalogueexhibi01unkngoog

DSCN0246The New Bedford Textile School is listed on page 443 of this program as an exhibitor under the classification of “Apprenticeship:  Protection of Child Labor”  in the Social Economy, Hygiene, and Public Charities Group.  For many years, the UMD Archives and Special Collections have held two medallions that were made to commemorate the Exposition.  One is bronze and the other is gold-plated bronze (at left).  Both have “New Bedford Textile School” stamped in a rectangle at the bottom of the front of the medallion.  My assumption is that the stamp has something to do with the fact that they were exhibitors.  For such an important international event, it is curious that there is no mention of the exposition or the medallions in the records of the trustees of the New Bedford Textile School.

As an interesting aside, Campbell Soups won a prestigious award at the exposition for its innovation in condensed soup.  The Campbell Soup labels have displayed this medallion ever since!  Other innovations introduced at the exposition were the escalator, ferris wheels, diesel engines and nesting Russian dolls.2292

A number of catalogues and other publications with illustrations of the exhibits, buildings and grounds have been digitized and are available at the Internet Archive at the following links:

http://archive.org/details/lexpositiondusi00quan

http://archive.org/details/lesprincipauxpal00ragu

Thanks to wikipedia.org, Archives.org, and various medallion sellers on the web for content used in this post.

 

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Campus Aerial Photo Documents a Moment in Time

aerial

This aerial photograph in the university’s photo archives documents a particular point in time in the evolution of the UMD campus in North Dartmouth.  But when?  The Group I building complex, upper left, is the only structure that is totally complete.  Now known as the Liberal Arts building, Group I was completed in the spring of 1966.  It was the site that same year of the first commencement on campus grounds, as well as the inauguration of President Joseph Driscoll, first SMTI/SMU/UMD president.  The large, staggered group of four buildings in the center is Group II, consisting of the three Science and Engineering Buildings, and the lecture halls.  Projecting off the back is the Textile Building, which, by the look of the roof, was complete at that time.  The other projection, the Violette Research building, is barely a foundation.  These buildings were all completed sometime in 1969; April for the SENG buildings and lecture halls, September for the Textile Building, and October for the Research Building.  Missing completely are the Foster Administration Building, the Library Communication Center, the Auditorium and Student Center, and CVPA (Group VI).  Ground was not broken on these projects until 1968, 1969, 1968 and 1975, respectively.  So when was this photo taken?  My guess would be 1968; summer, by the look of the trees.

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Madeiran Feast of the Blessed Sacrament

ums-1937-07-15-0-004 sums-1958-07-30-0-005

 

 

 

 

 

 

 

Starting August 1st, 2013 New Bedford will once again host the Feast of the Blessed Sacrament, also known as the Madeiran Feast or Portuguese Feast.

Founded in 1915 by four immigrants from the Portuguese island of Madeira, the festival aimed to recreate the religious festivals that were common to their native villages and to celebrate their safe passage to the United States.  The event has grown over the years, and claims to now be “the Largest Portuguese Feast in the World and the largest ethnic festival in New England. The Feast attracts hundreds of thousands of visitors from around the globe.”

The Feast is planned and organized by members of the Club Madeirense S.S. Sacramento, Inc. and there are long established traditions and rituals that established who is able to be a ‘festeiro’ (member of the organizing committee.

The event aims to have something suitable for all members of the family, from a Kid’s Day Program, to the Museum of Madeiran Heritage, not forgetting the Santana House which serves the world-renowned Madeira wine or the savory goods found in the barracas, specifically the well-known espetada (bbq’d beef).

For more information and the complete program for the 2013 Feast, please check out http://portuguesefeast.com/

The newspaper pages above are from the Diario de Noticias, July 15, 1937 and July 30, 1958.  To search more newspapers, follow this link to our Portuguese American Digital Newspaper Collections at:

http://lib.umassd.edu/archives/paa/portuguese-american-digital-newspaper-collections

 

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La Bonne Chanson

Among the many French-Canadian-American materials in the Archives and Special Collections are ten volumes of songbooks published by Charles-Émile Gadbois as a series entitled La Bonne Chanson. Charles-Émile Gadbois BonneChanson1was born in St-Barnabé-Sud, near St-Hyacinthe, Quebec, Canada in 1906. According to the entry in the Canadian Encyclopedia/The Encyclopedia of Music in Canada (online at http://www.thecanadianencyclopedia.com) he studied piano with Télesphore Urbain, the organist at St-Hyacinthe Cathedral, violin with Maurice Onderet, and harp with Juliette Drouin. “After his ordination as a priest in 1930 Father Gadbois began teaching, and for five years was director of the band at the St-Hyacinthe Seminary. In 1937, influenced by the Congrès de la langue francaise held in Quebec City, Gadbois established La Bonne Chanson to assemble and publish the best French and French-Canadian songs. A tireless promoter of ‘la bonne chanson,’ he organized festivals, contests, and congresses, including those at the Montreal Forum (1942) and the Quebec Coliseum (1943) and in Lewiston, Me (1944). He composed some 60 songs and wrote about 20 folksong arrangements.”BonneChanson3BonneChanson2BonneChanson4

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Nathaniel C. Smith, NBTS Campus Architect

New Bedford Architect Nathaniel C. Smith (1866-1943) designed the original New Bedford Textile School building and its addition. The building still stands at 1213 Purchase Street and is currently home to the City of New Bedford Health Department, among other things. 12 The New Bedford Textile School, one of UMass Dartmouth’s predecessor schools, was chartered in 1895 to provide “instruction in the theory and practical art of textile and kindred branches of industry.” The first building was completed in 1899 at 1213 Purchase Street in downtown New Bedford.  The city of New Bedford matched construction funds with those provided by the state.  Classroom instruction emphasized both the theory and practice of all phases of manufacturing, finishing and distribution of textiles, and was intended to refine the skills of local mill workers by offering both day and evening classes. The first course offered was the “General Cotton Course.”  A later iteration of the New Bedford Textile School, the New Bedford Institute of Technology, merged with the Bradford Durfee College of Technology in 1964 and gradually vacated the building in the 1960s as structures on the new Dartmouth Campus were built.  The Purchase Street building was home to a few departments of the Swain School of Design from 1985-1988, and UMD’s Artisanry and Fiber Arts programs in the 1990s.

Smith designed an impressive array of buildings in the greater New Bedford area, many of which still stand.  More on this architect and his local work is on display at the Rotch-Jones-Duff House & Garden Museum in New Bedford through November 1, 2013, including facsimile reproductions of two of the Smith drawings of the NBTS building in the Claire T. Carney Library Archives and Special Collections.  Unfortunately, blueprints are susceptible to light damage and could not be lent for display.  The museum is open from 10 am to 4 pm Monday through Saturday and 1 to 4 pm on Sunday.

NBTS postcard

For more information, find the RJD House on Facebook:  https://www.facebook.com/pages/The-Rotch-Jones-Duff-House-Garden-Museum/199162686761765 or go to their web site at http://www.rjdmuseum.org/

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First New Bedford Textile School Catalogue for 1895

NBTI logo 1948In 2012 the Archives and Special Collections digitized all of the New Bedford Textile School yearbooks and catalogues through the Boston Library Consortium’s OCA (Open Content Alliance) scanning project with the Internet Archive. They are accessible through the Internet Archive portal at http://www.archive.org.  Search “New Bedford Textile School;” there are several viewing options for each item digitized.  The New Bedford Textile School, chartered by the Commonwealth in 1895, and officially opened for business in 1899, is a predecessor institution of UMass Dartmouth. Featured in this post is a link to the very first catalogue published, from the first year the school was open for enrollment, 1899-1900.  The direct link to the 1895 catalogue is at < http://www.archive.org/details/catalogue00newb >.

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Remember When..? Library Card Catalogs

Library nostalgia3Remember when access to the library’s collection of books depended on how thoroughly you looked through the card catalog?  For the first twenty years after the UMass Dartmouth Library opened in 1972, students, faculty and staff primarily used the card catalog for their research.  A card for a single volume was duplicated many times and cross-listed under various subjects pertinent to its content, the author’s name, the title,  and other  access points.  UMass Dartmouth Library had rows and rows of oak card file furniture which contained almost two million cards at one time.  In 1991 it began its decline into obsolescence; in September of that same year, the catalog went online for the first time, with the implementation of MultiLIS.  The purchase and installation of this software to automate the library was funded through an HEA Title IID College Library Technology and Cooperation Grant  shared with Bridgewater State College.  The process of conversion began sometime in the late 1980s, in preparation for software installation in 1990.

The online public access catalog has been upgraded a couple of times since 1991, most recently with our implementation of Primo, the new discovery search and delivery service.  The oak cabinets were removed several years ago.  The following images are of original cards from the catalog; a student using MultiLIS, with the old card catalog still in use (a transitional period no doubt); the library newsletter announcing the first online catalog; a student using a public access terminal with a printer; and the Claire T. Carney Library Learning Commons today.  The photos were all taken by the library’s Photographics Department at one time or another.

card catatog cardsLibrary nostalgiacard catatog cards 2

Library nostalgia5Learning Commons in the Claire T. Carney Library (LIB)

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Donald Warrin Collection

Author and historian Donald Warrin has donated his research materials to the Ferreira-Mendes Portuguese-American Archives. This collection is composed of copies of the primary and secondary sources that were used in the writing of So Ends This Day: The Portuguese in American Whaling, 1765–1927 and Land, As Far As the Eye Can See: Portuguese in the Old West both published by Tagus Press of the Center for Portuguese Studies and Culture at UMD. The collection contains materials that were not included in their respective books, Dr. Warrin’s personal documents regarding the materials, and auxiliary information regarding Portuguese immigrants in the United States.

Land, As Far as the Eye Can See: Portuguese in the Old West was recently reprinted and is described by the publisher as “An entertaining and innovative account of pioneering Portuguese men and women who settled the vast frontier of the American West”. It tells the story of enterprising Portuguese immigrants into the wider story of the Old West with biographies that include those who stood out and glimpses of obscure yet important settlers.

The collection will be available for public consultation in the next couple of months.

 

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