New book: Madame Chiang Kai-shek’s trip through the United States and Canada (1944)

 

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The Archives and Special Collections recently received this rare book as a gift from the late Mrs. L. Meiling Yen of Mattapoisett, MA.  Published by the Chinese-American press in 1944, it documents the trip of Madame Chiang Kai-shek (Soong May-ling) to the United States and Canada in 1943.  Madame Chiang was the wife of Generalissimo and later Republic of China President Chiang Kai-shek, who was in office from 1948 to 1975 .  During World War II, Madame Chiang travelled around the world to promote the Chinese cause and build a legacy for her husband on par with Roosevelt, Churchill and Stalin. She was educated in the United States and was fluent in English.   Well versed in both Chinese and western culture, she became popular both in China and abroad.  Soong May-ling made several tours to the United States to lobby support for the Nationalist’s war effort. She drew crowds as large as 30,000 people and in 1943 made the cover of TIME magazine for a third time. She had earlier appeared on the October 26, 1931 cover along-side her husband and on the January 3, 1937 cover with her husband as “Man and Wife of the Year.”  On February 18, 1943, she became the first Chinese national and the second woman to address both houses of the U.S. Congress.  On that same trip, as laid out in this book, she visited New York City, where she gave a speech at Madison Square Garden on March 2; Boston, where she made a trip to see her Alma Mater, Wellesley College, and gave an address on March 7; Chicago, with an address at Chicago Stadium on March 22; San Fransisco, where her speech was at the Civic Audorium on March 27; and finally, Los Angeles, with an appearance at Hollywood Bowl.  Madame Chiang received the world’s outstanding woman award from Eleanor Roosevelt on this 1943 trip.

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“Stop Mis-Filing!” 1913 Office Publication

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“Stop Mis-Filing! Use this New ‘Y and E’ Direct Name system of Vertical Filing” is the title of a trade publication from Yawman and Erbe Mfg. Co. of Boston, MA.  It is part of a collection of trade literature and mechanical equipment catalogues found within the records of the Winthrop C. Durfee Dye Company, 1890s-1929 at the Claire T. Carney Library Archives and Special Collections.  The records document the professional life of an independant drysalter and chemist-merchant that provides information on the commercial textile-dyeing industry in the United States at the end of the 19th century and beginning of the 20th.  There are several trade flyers and catalogues selling the latest in office supplies, furnishings, filing systems and document duplication systems in the early 20th century.

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1911 Fall River Cotton Centennial Postcard

Fall River Cotton Centennial 1911In 1911 the city of Fall River celebrated the Cotton Centennial Carnival, which marked one hundred years of achievement in cotton manufacturing.  “Fall River Looms Up” was the slogan for the festivities that lasted six days, June 19th through the 24th.  There were parades, including the Grand Carnival Parade, and the Trades Parade, and a horse show; plus the circus was in town.  The highlight of the week,however,  was a visit from President Taft on Friday.  The president arrived  aboard the  presidential yacht, the Mayflower, and was greeted by Governor Eugene Foss and Mayor Higgins and a 21-gun salute.

This photographic postcard is in the collections of the Archives and Special Collections, and is one of many that exist documenting the Cotton Centennial Carnival and all of its festivities.  Durfee High School owns a collection of Cotton Centennial Photos.  To view, see the list at http://www.sailsinc.org/durfee/fallriver.htm.

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Famous Group I Lounge Photo

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This color photo was taken by Joseph W. Molitor for the Architectural Record article on the SMTI campus, which appeared in print in October 1966.  It depicts the South Lounge in Group I, now the Liberal Arts Building (LARTS).  At the time UMass Dartmouth’s official name was SMTI, or Southeastern Massachusetts Technological Institute.  The campus, including the Group I building,  was designed by Paul Rudolph.  The article caption reads “Large banners and an orange carpet bring color and warm reflected light to one of the major circulation spaces.  Topmost balcony is a faculty lounge, other seating areas are for students.  Curtains are steel mesh.  Seating areas are popular and the space has also been used for an opera workshop performance. ”  What the article does not mention is that there was a working fireplace in the lounge.  The best features of Group I are now reinterpreted in the new Claire T. Carney Library space, which also has not one, but two, working fireplaces, dazzling orange carpet, mesh “screens” on the outside of the windows, and the bold architectural shapes and textures cast in concrete that were the signature of Rudolph.

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Rudolph’s Original Master Plan for the UMD Campus

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Architect Paul Rudolph and the firm Desmond & Lord created this plan for the campus in 1965 or 1966, when UMD was known as SMTI, or Southeastern Massachusetts Technological Institute (established in 1960).  It laid out the location of major campus features — the academic buildings, the parking lots, Ring Road, the library and amphitheater, and the athletic fields.  The campus and its relation to Cedar Dell Pond is striking.  Trees were cleared starting from library, at the center, and moving straight out to the pond, which resulted in a sweeping vista of open space.  Although Rudolph was not directly involved in the design and construction of more than a handful of structures on campus, his overall design was carefully followed.   For more information on Paul Rudolph’s designs for the UMass Dartmouth campus, visit the Claire T. Carney Library’s web site “Paul Rudolph and His Architecture” at http://prudolph.lib.umassd.edu/.  The master plan drawing is in the collections of the Claire T. Carney Library Archives and Special Collections.

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The Ferreira-Mendes Portuguese-American Archives and the University Archives and Special Collections will be closed December 22 to January 1.

As part of the library construction project, the archives will be getting some additional fire suppression equipment installed.   We will reopen with regular hours on January 2nd.

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Exhibition “Presepios de Lapinha”

Only two more days left to view this exhibit of Portuguese traditional sea-themed nativity scenes made by local artisans!  The first lapinhas were made by nuns in convents in the 17th century in S. Miquel, Azores.  They were decorated with miniature shells, artificial silk flowers, feathers, fish scales, wax, papers and cotton, and the focus were the clay figurines that represented the Holy Family.  Local artisans continue this long tradition.  Last year, the Casa dos Acores  New England sponsored an artisan to travel to Providence to teach a class.  The presepios de lapinha on display in the Ferreira-Mendes Portuguese-American Archives through December 13, 2012 were made by women in this class.

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Segall Square Dedication April 10, 1949

On June 24, 1948, the New Bedford City Council designated “that part of County Street immediately at  the easterly end of Hawthorn street” as the Ensign Joseph Irving Segall Square.  The designation was made after a request by the Jewish War Veterans New Bedford Post 154.  On April 10, 1949, the city and Post 154 held a parade, followed by the dedication of the square and tablet.  At the time, the location was in front of the Jewish Community Center at 388 County Street (formerly known as the Langshaw or Rodman Mansion).   Ensign Segall was born in New Bedford in 1917, went to New Bedford High School, and graduated from USC.  He entered Naval service in March of 1941 and was commissioned in the Naval Air Corps.  He was killed in action in the North Pacific on July 21, 1942.  This photograph, which also appeared in the Standard Times, is part of a scrapbook in the records of the Jewish War Veterans Post 154, Archives of the Center for Jewish Culture, MC 15, UMass Dartmouth Library.

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Swain School of Design Catalogs and Circulars Digitized

Through the Claire T. Carney Library’s participation in the Boston Library Consortium’s Open Content Alliance book scanning project, the Archives and Special Collections at UMass Dartmouth has digitized a complete set of Swain School catalogs and  circulars from 1910 through 1987.  Due to their fragility, circulars from before 1910 are available in person at the archives only. The Open Content Alliance is supported by the Internet Archive, which maintains a central database of all scanned books, media and websites for free and open access to all.

For access to all digitized Swain circulars and catalogues, go to the Internet Archives site at www.archive.org and search “Swain School.”

For example, for a direct link to a streamed version of the 1987 full-text catalogue, go to http://archive.org/stream/circular8687swai#page/n1/mode/2up, and for a 1913 circular, go to http://archive.org/stream/circular1314swai#page/n0/mode/2up.  They can also be downloaded and saved as pdfs.  For more information on Swain School of Design, go to the Archives and Special Collection website at http://www.lib.umassd.edu/archives/swain.  For access to other Swain School records in the archives, please contact Judy Farrar at jfarrar@umassd.edu.

For more information on the Open Content Alliance, their website is at http://www.opencontentalliance.org/about/at the archives.

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SMTI and SMU Commencement Recordings Preserved

The Archives and Special Collections staff have recently completed a project to clean and reformat the early university commencement recordings made from 1966 to 1984.  1966 was the first year the UMass Dartmouth commencement (then known as SMTI, or Southeastern Massachusetts Technological Institute) was held on the new Dartmouth campus.  Audio-only recordings were made on reel-to-reel magnetic tape, standard technology at that time.  After 1984 recordings were made on audio cassettes, a format for which we still have easy access to equipment for playback.  But for the reel-to-reel recordings, we were faced with no way to easily listen to, share or copy the recordings for the general public or for internal uses.  Archives staff sent original tapes  to Media Preserve, an audio-visual laboratory in Cranberry Township, Pennsylvania for cleaning and reformatting.   Access to the electronic files is by request at this time.

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